← Zurück

Beiträge

$villa\wigman – Raum für Darstellende Künste$

Program

PARCOURS³ #1 by Svea Duwe

Choreography und Dance: Odbayar Batsuuri

Hall Large

Throw

An everyday, simple action becomes the medium for this performance and serves as the basis for evoking symbolic and abstract meanings. The design of these physical actions is intended to create personal or social experiences and themes for each spectator. Ultimately, the solo invites the audience to delve into the depths of their own thoughts and reminds them once again of the complexity and individuality of the human being.

Odbayar Batsuuri was born in Mongolia and completed a Bachelor's degree at the Mongolian State Conservatory and a Master's degree in choreography at the Palucca University of Dance Dresden. As a choreographer, he was invited to design the opening ceremony of the Bauhaus Museum in Dessau. He also choreographed “Falling Face”, a dynamic group piece at the Pforzheim Ballet Theater. He then created the dance film “Can I ask you that?” and the solo piece “In the inside”. With the piece “In The Inside” he received the audience award at the SOLOCOREOGRAFICO - Solo Dance Festival 2024.

Performance: Caroline Beach

Hall Small

you don’t even like it here

This is a dialog, a wrestling match, a love song, a warning. Between Sailor and the angel of information. There is only one question you can ask an angel: What is the value of having to repeat history if you can't do anything about it?

Caroline Beach is a choreographer and performer. She is interested in information, swimming pools, internet horror, nostalgia, evil clowns and the place where words disappear.

www.carolinebeach.com

Vocals: Julia Böhme
Composition: John Cage

Hall Red

Solo for voice 52

John Cage is considered one of the world's most influential composers of the 20th century. He was an avant-garde composer of his time and gave significant impetus to new improvisational music. The aria is composed of ten different types of singing and vowels, consonants or words in five different languages, supplemented by sounds. The notation means that no two performances are the same.

The alto Julia Böhme has become a sought-after interpreter of early music in particular, but also of contemporary music. She performs in classical, historical, modern and interdisciplinary forms of the performing arts. Her strengths are vocal beauty and expressiveness, acting intensity and versatility. In 2025, she will perform Mikis Theodorakis' “Canto General” together with the Gächinger Kantorei under Hans-Christoph Rademann.

www.juliaboehme.de

Puppet play: Marie Bretschneider

Living room

Old sisters

First the bridge collapsed, then the air was let out of the state parliament and finally researchers discovered that Dresden was completely undermined. The city was abandoned in a hurry. Everyone is gone, except for two ancient prehistoric creatures that are simply not escape animals. Completely free of temperament, they manage to stop the decay of the Elbe residence.

Marie Bretschneider advocates polite and non-judgmental interaction in everyday life. It's not easy for a woman from Dresden, but it's worth it. Because if everything is falling apart, at least we can be nice to each other. She works as a puppeteer and once studied acting.

www.marie-bretschneider.de

Installation / Performance: Marc Dietze

Golden residence

construction in progress

Construction site staging. The villa\wigman in transition. A live performance of everyday construction work in the villa\wigman, which immerses the audience in the building activities of recent years.

Marc Dietze studied architecture at the TU Dresden for seven semesters. In his final semesters, he began working as a construction assistant at villa\wigman. After a year at the villa, he went to Osnabrück to successfully complete his training as a journeyman carpenter. Since August 2024, he has returned to villa\wigman as a self-employed construction all-rounder. He also works in web design and created Julia Amme's website, among other things.

www.marcdietze.de

Choreography and Dance: Sophie Hauenherm
Music: Ben Frost, Metal on Skin

Hall Red

Metal On Skin

In “Metal on Skin”, the human being is seen as an integral part of the whole, trapped in the illusion of separateness. The piece explores the idea that our consciousness makes us believe we are isolated, when in reality we are part of a larger, inseparable context. We are often trapped in a machine of repetitive thoughts and routines. The aim is to break through this illusion and find true freedom in a deeper connection with the world, ourselves and the people around us. The central message: the whole is more than the sum of its parts.

Sophie Hauenherm is a freelance dancer, choreographer and teacher. She completed her training at the Palucca University of Dance Dresden while she was diagnosed with incomplete paraplegia. Despite this, she decided to pursue a life with dance. Since then, she has worked as an artist throughout Germany with Gregory Darcy, Tiago Manquinho, Barbara Bruck, Tom Quaas, Wagner Moreira, the Projekttheater Dresden, Gil Kerer and the guts company, among others. At the same time, she is studying for a Master's degree in clinical psychology at the Technical University of Dresden.

www.sophiehauenherm.com